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Alias
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Crooked Fingers
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Film School
The Fire Theft
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The Moore Brothers
Ms. John Soda
M. Ward
My Little Cheap Dictaphone
Nik Freitas
John O'Brien
Part Chimp
The Robot Ate Me
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Revlon 9
Styrofoam
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Shout! Comp
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The Starside 8
Summer at Shatter Creek





Ms. John Soda
While Talking
Morr Music
2003
Up
Down

[12.03] Ms. John Soda is somewhat of a German super group. The band is made up of Stefanie Bohm (Couch) and Micha Acher (The Notwist), representing two of the finest bands to come out of that land since, well, Trio. (Kraftwerk seems too obvious, and Autobahn was a made up band just for The Big Lebowski.)

Anyway, it seems this duo has produced a pretty catchy EP here to follow up their full length debut No P. or D. This short player runs five songs long, consisting of four new songs and one track, called "I & #8217, " that is a mash up/remix of a number of songs from their debut by Anticon-affiliated group Subtle. This song particularly sounds like something off of the first Dntel album, fully in line with the work you expect from Jimmy Tamborello. If "I & #8217" is indicative of Subtle's work, I'll have to keep my eyes open for more from them. This track might in fact be my favorite of the record, and it's also the most different of the bunch—the rest of the tracks follow along the same pattern of sound you expect from Ms. John Soda.

Comparisons to their other bands are obvious, especially with The Notwist, but the one thing I hear in some of the songs (especially the opening track "No. One") is a great similarity to Sonic Youth; in particular the songs where Kim Gordon takes center stage. This sound doesn't necessarily occupy the entire album, but it does appear enough to make the comparison visible. There are also moments where Stereolab or Bjork might be fitting—female vocals, electronic soundscapes and straight-forward rock music all blended together into a tasty mix.

While Talking is a catchy little EP, and I think anyone who was a fan of The Notwist's fabulous album. Neon Golden, would be more than happy checking this out. Sometimes side projects can be nearly as good as the performer's main bands, and this is a fine example to support that claim. —Jake