Pick a Year

Castle Oldchair
cLOUDDEAD
Coachwhips
Donato Wharton
Glenda
Lali Puna
Lanterna
Faris Nourallah
Oliver Future
Parts & Labor
Statistics
Tyondai Braxton

 

 

 

 


 

Oliver Future

S/T
Lily White Records
2003
[02.04] Something about Oliver Future's music has "hit" written all over it—it's all just a matter of it being heard by the right people at the right time. Personally, I'd welcome their sounds to the airwaves—although radio has gotten better over the last year or so, it's still got a long way to go, as far as I'm concerned.

The key to the Oliver Future sound is how much it reminds me of Radiohead's older material; singer Noah Lit doesn't really sound like Thom Yorke, but the way he uses his voice becomes instantly familiar upon the very first listen. The music also has a similar quality to it, particularly in how the keys are layered within the music and the way they *don't* use their guitars. That is, letting the lack of guitars from time to time speak just as loudly as any riff you could have played at that moment, a dub-like sensibility that often pops up in the later work of Radiohead.

Ultimately though, Oliver Future never really come across as a blatant rip-off of Radiohead and/or Yorke—rather, they just seem like a group who've grown up with and are heavily influenced by their music and it just naturally comes out this way when they write and record songs.

Other than the Radiohead influence, there are slight parallels to The Strokes or The Dandy Warhols, although this similarity in sound is only heard in a couple of songs. All in all, not a bad beginning for these young lads; perhaps with time they will gradually develop a more distinctive sound that is all their own. Even if they don't, the place they are in now isn't a bad place to reside either. —Jake